On the novel “Vanina Vanini” by F. Stendhal

Related posts:

1. “Vanina Vanini” Stendhal in brief summary Italy of the XIX century. Aristocrat Vanin Vanini falls in love with an ardent young revolutionary who escaped from prison. Their feelings are mutual, but Pietro has to make a choice between love and duty to the Motherland… In the spring evening of 182 … the banker, the Duke de B, gave a ball, to […]...
2. Frederic Stendhal – an astute “observer of human characters” Stendhal’s life was fanned with romance and fierce struggle for existence, filled with turbulent events and full of vivid impressions. As a politician and diplomat, he visited many European states, he learned great love and disappointment in it. Passion for artistic creativity brought him happiness even in the years of lonely old Italy, where he […]...
3. Summary of Vanin Vanini Stendal Vanina Vanini Vanina Vanini is a Roman aristocrat, a “black-haired girl with a fiery gaze,” feeding contempt for the timid and insignificant soul of the young people of her circle, but selflessly falling in love with the young Carbonari, whose courage and willingness to perish for liberating Italy from the Austrians meet the passion […]...
4. On the work of F. Stendhal According to the researchers, Stendhal’s spiritual development was affected by uneasy relations with his father, who was a type of self-satisfied smug bourgeois. The writer built his artistic world in many respects as opposed to his father’s preferences: he placed the free personality and her passions at the center of this world, not submitting to […]...
5. Biography of Stendhal Stendhal is a writer, the founder of a realistic novel. Born Stendhal January 23, 1783 in the city of Grenoble. The father of the future writer was a lawyer. As a child, Stendhal lost his mother in his biography. And the education of the boy was mainly engaged in the grandfather, who was familiar with […]...
6. Frederic Stendhal. Biography Frederic Stendhal is a classic of French literature, which initiated realistic psychologism and expressed in his work the heroic spirit liberated by the era of the Great French Revolution and Napoleonic wars. Stendhal formulated his creative credo as follows: “Apply the techniques of mathematics to the human heart and put in the basis of the […]...
7. The movement of F. Stendhal to realism Rejecting the classical canons, Stendhal at the same time recognized the existence of “iron laws” of reality and the need for their knowledge of the artist. He said: “It is necessary that the imagination has mastered the iron laws of the real world and, accordingly, was corrected by them.” This led him beyond romanticism, for […]...
8. The participation of F. Stendhal in the romantic movement As already noted, Stendhal was an active participant in the romantic movement and a fighter for the creation of a “new art” in France. The well-known critic Sh. De Sainte-Beuve called him “the hussar of romanticism,” bearing in mind that in the then military tactics the hussar regiments were advanced detachments of the troops, entered […]...
9. Questions and Answers to Stendhal’s novel “The Red and the Black” What facts of Stendhal’s biography influenced his views? A fascination with the ideals of the Enlightenment, reading of the works of Voltaire, Rousseau, Diderot; Participation in the campaign of Napoleon’s army in 1812 to Moscow. What are the aesthetic views of Stendhal, reflected in the novel “Red and Black”? Aesthetic views of Stendhal formed on […]...
10. “Red and black” F. Stendhal as a socio-political novel The Bourbon monarchy, renovated by the occupation forces, was a noble monarchy, that is, political power belonged to the nobility. However, the bourgeoisie already reigned in the economy and was preparing to take political power into its hands, which happened, only Stendhal completed the novel. This re-victory – after the revolution of the late XVIII […]...
11. Features of poetry and style of the novel “Red and Black” F. Stendhal In the disclosure of all the processes and vicissitudes taking place in the soul of Julien Sorel, with special expressiveness was the psychology of Stendhal, who achieved unusual subtlety and insight. And it is psychology that is the fundamental feature of the poetics of the novel “Red and Black”. Novel Stendhal’s “Red and Black” is […]...
12. The symbolic capacity of the title of the novel On the manuscript of the completed novel, published under the name “Red and Black,” Stendhal first wrote “Julien Sorel”. And this shows that the writer primarily intended to offer the reader an artistic history of life and death of a young man of low birth who is forced to fight for his existence in the […]...
13. The symbolism of the title of the novel “The Red and the Black” by Stendhal A chervonium is a love, And chorny – then the magazine… D. Pavlychko Since the advent of the novel Stendhal more than 150 years have passed. The novel was read by millions of people in many languages. Many books written about Stendhal’s writings have been written, but so far literary critics can not come to […]...
14. “Red and black” F. Stendhal as a socio-psychological novel The main reason for this definition of the genre specificity of the work is that in it these social processes and collisions are refracted through the prism of the consciousness and reactions of the central hero, his inner struggle and, finally, his dramatic fate. This hero, commoner “with a strikingly peculiar face,” refers to the […]...
15. “I can die on the street” Reflecting on art somehow, Stendhal suggested the following: “Every artist must look at nature in his own way.” What can be more stupid than looking at the nature borrowed from another person, and sometimes at a person with a completely opposite character. ” The writer followed this statement to the end of his life, creating […]...
16. The ambiguity of the title of the novel “The Red and the Black” by Stendhal The novel “Red and Black” is a social and psychological novel in which the life path of the main character – a young man of the generation of the twenties of the 19th century, Julien Sorel – is traced. What is the novel “Red and Black”? And why “red” and “black”? The title of the […]...
17. Conflict of Stendhal’s novel “Red and Black” With whom did his struggles leak? With yourself, with yourself… B. Pasternak In the center of Stendhal’s novel is the fate of the descendant of the lower classes, who is trying to break his way into a higher society, to fame and fortune. The author traces the whole path of the hero in detail, from […]...
18. Interesting details of the life and work of F. Stendhal Favorite children’s entertainment writer was a game in the Revolution. “I made myself a small tricolor banner,” he later recalled, “and in the days of the Republicans’ victories wore him alone in the uninhabited rooms of our big house.” Stendhal’s voluminous texts, on which he worked since the 1820s, were preceded by a dedication: “To […]...
19. The realism of O. de Balzac The emergence of French realism, beginning with the work of Stendhal, occurred in parallel with the further development of romanticism in France. It is indicative that the first who supported and largely appreciated the realistic search for Stendhal and Balzac were Viktor Hugo and George Sand, vivid representatives of the French Romanticism of the Restoration […]...
20. Aesthetic creed of the writer Returning in 1822 to France, Stendhal plunges into the atmosphere of literary struggle. Official Paris met its writer unfriendly, here rumors have already come about the “dubious” Italian acquaintances of Stendhal. The writer does not inspire the French policemen with more confidence than the Austrian detectives. Willy-nilly Stendhal has to be extremely careful. He is […]...
21. Female images of the novel “Red and Black” by F. Stendhal Interesting and original are the images of Madame de Renal and Matilda de la Mole. In the moral and psychological plan of the novel they act as these poles, between which the brief life of Julien Sorel flashed. It is the love for these two women that reflects the different facets of the character’s character. […]...
22. Briefly about the creativity of Merime Prosper Prosper Merimee began his creative career in the mid-1920s. as an active participant in the romantic movement. One by one, his works appeared, not similar to the previous ones on themes and genre nature. The main contribution of Merimee to the French realistic literature is novellistics. Actually, he has great merit in the development of […]...
23. About the novel “Parma monastery” The Italian theme occupies a significant place in the creative heritage of Stendhal. The world of passions and strong characters is explored by the writer in the novel “Vanina Vanini”, and in the “Italian chronicles”. The theme is most deeply and fully revealed in Stendhal’s last completed novel, The Parma Cloister. In it, the theory […]...
24. About the work of Charles Dickens The first works of Dickens are marked by the influence of the English Enlightenment, sentimentalism and romanticism. The plot in them was built mainly in the form of a chain of arbitrary situations, in which the hero-traveler alternately got himself. Meetings with different characters telling their stories gave this hero food for generalizations of life […]...
25. My favorite writer My favorite writer is Alexander Ivanovich Kuprin. Reading his works, I do not get tired to marvel at his talent. Kuprin had a unique ability to create unusually lively, vivid images that the reader remembers for his entire life. Kuprin was an amazingly versatile person who throughout his life strove for knowledge, mastered and studied […]...
26. On the work of Guy de Maupassant Being a disciple and follower of G. Flaubert, Maupassant in his work adhered to the priorities of his teacher, which included the description of everyday life and customs of different strata of society, the formulation of acute issues of modern social and moral life, the study of human psychology, the impeccably polished style. At the […]...
27. “Red and black” Stendhal in brief Monsieur de Renal, the mayor of the French town of Verrieres in the Franche-Comte district, a man who is smug and vain, informs his wife about the decision to take the tutor to the house. There is no special need for a tutor, just a local rich man, Mr. Valno, this vulgar screamer, always rivaling […]...
28. The inner struggle of the protagonist and his insight Young and ambitious Julien Sorel seeks to make a career in a brutal, hostile society. To achieve this goal, he has no means and possibilities, except hypocrisy, whose “art” he is compelled to master in order to adapt to the hated environment. Constantly feeling surrounded by enemies, Julien closely monitors each step, acts all the […]...
29. “Parma abode” of Stendhal in brief Fabrizio, the youngest son of the Marquis of Valserra del Dongo, spends his childhood in the family castle of Griante built in the 15th century over the beautiful Lake Como. He has two sisters and an older brother, in everything surprisingly similar to his father. The marquis is rich, but stingy, his wife and daughters […]...
30. Genre of the novel “David Copperfield” by Charles Dickens In the history of the formation and development of English realism, Charles Dickens’s novel “David Copperfield” occupies a special place. Along with such famous works of the writer as “Cold House” and “Little Dorrit”, this novel marks a qualitatively new stage in his work, characterized by a deeper penetration of Charles Dickens into the psychology […]...
31. C. Dickens and Ukraine Ukrainian fans of verbal art first got acquainted with the work of Charles Dickens in Russian translations. In 1838, the journal Otechestvennye Zapiski (The Notes of the Fatherland) published the full translation of the novel The Posthumous Notes of the Pickwin Club. This novel immediately captivated the Ukrainian reader with its democratism, the incomparable satirical […]...
32. Conquest of Hearts Strictly all Stendhal experiences his hero in love. It is in love Zhyulen Sorel, despite all attempts to turn this feeling into an instrument of ambitious designs, nature is revealed as a selfless, passionate and tender, without the rest is given to the natural sense, by force of circumstances from time to time to hide […]...
33. Overcoming self-deception The novel “David Copperfield” reflected those qualitative changes in the worldview of Charles Dickens, which became characteristic of the third period of the writer’s work. The desire for an in-depth, philosophical and psychological comprehension of life caused Dickens to treat his favorite topics in a slightly different way. First of all, this concerns the topic […]...
34. Alexander Ivanovich Kuprin. Biography The highest example of realistic art at the turn of the nineteenth and twentieth centuries was the work of Alexander Kuprin. Alexander Ivanovich Kuprin is a well-known Russian prose writer who aspired to update the aesthetic principles of realism in his work. Kuprin, like Ivan Bunin, inherited the “ideological mood” of Anton Chekhov. The writer […]...
35. Characteristics of the novelism of Guy de Maupassant Realistically multifaceted and accurate recreation of everyday life of different layers of French society, the color of time and terrain; a pronounced anti-war pathos, manifested in protest against the violence and cruelty of the invaders, a sarcastic image of false patriotism, behind which moral vices hide, admiration of the compatriots who did not submit to […]...
36. Summary of Pietro Mascagni Pietro Mascagni 1863-1945 Mascagni – one of the representatives of operatic faith. This direction arose under the influence of Italian literature and theater of the late XIX century. Heroes from the social lower classes, from the underprivileged and the poor, unreasoned life conflicts and human destinies, clashes of passions and characters – these are the […]...
37. “Who is a hero” essay Once in one village, a five-year-old child walked along the roadside with a friend and an older brother. They went to the store, and on the way to it, five-year-old Vanya saw a seven-year-old girl fall through the ice, began to sink and choke. Vanya ran to the polynya and grabbed the girl and barely […]...
38. The art world of Charles Dickens Dickens the artist had a rich imagination. This amazing power of imagination and knowledge of the unsightly aspects of the life of Victorian England helped the writer create a multi-faceted and multicolored art world populated by countless comic, dramatic and tragic characters. Dickens’s novels, oversaturated with everyday life, customs, people of different classes, detailed details […]...
39. The threat of moral emptiness and its overcoming Moral emptiness, like the new for Charles Dickens ethical category, first appears on the pages of the novel “David Copperfield.” Is it accidental? Dickens, having refused in his work from the mechanical forces that cut the knots of contradictions, and dispelling the illusions of self-deception of their heroes, in a certain sense deprived them of […]...
40. The vicissitudes of fate Henri-Marie Beyle – pseudonym Frederick Stendhal – was born January 23, 1783 in the small French town of Grenoble, surrounded by snowy peaks of the Alps, in the family of the lawyer Cheruben Beyle. The mother of the future writer – Henrietta Beyle – died when the boy was barely seven years old. His upbringing […]...