“Before sunrise” Zoshchenko in brief summary
Autobiographical and scientific story “Before sunrise” – a confessional story about how the author tried to defeat his melancholy and the fear of life. He considered this fear to be his mental illness, and not at all a feature of talent, and tried to overcome himself, to inspire himself with a childlike, cheerful world view. To do this, it was necessary to get rid of children’s fears, to overcome the gloomy memories of youth. And Zoshchenko, recalling his life, discovers that almost all of it consisted of impressions of gloomy and heavy, tragic and saddening.
There are about a hundred story chapters in the story, in which the author is just sorting through his gloomy memories: here is the silly suicide of a peer student, here is the first gas attack on the front, that’s unfortunate love, but love is successful but quickly bored… The love of his life is Nadya V., but she marries and emigrates after the revolution. The author tried to console
The author tries to look for the roots of his gloomy worldview in childhood: he remembers how afraid of thunderstorms, water, how late he was taken from his mother’s breast, how alien and frightening the world seemed to him, as in his dreams the motif of the terrible, grasping hand was repeated persistently… As if all
As a result, “Before sunrise” is transformed not into a story about the triumph of reason, but in the artist’s painful report of a useless struggle with himself. Born to compassion and empathy, morbidly sensitive to everything gloomy and tragic in life, the author tries in vain to assure himself that he can bring up a cheerful and cheerful worldview. With such a world view, it makes no sense to write. The whole story of Zoshchenko, her entire artistic world, proves the primacy of artistic intuition over reason: the artistic, novelistic part of the story is beautifully written, and the author’s comments are just a mercilessly honest account of a completely hopeless attempt. Zoshchenko tried to commit a literary suicide, following the dictates of the hegemons, but, fortunately, did not succeed in this. His book remains a monument to the artist,