“The Adventures of Perigrin Piklya” Smollett in brief summary
“The Adventures of Perigrin Piklyon” – the second of three novels that brought glory to Smollet – reveals the features inherent in the “novel of upbringing”, and the novel is enlightening, and satirical, and pamphlet pamphlet. In part, we can talk about the influence of “sentimentalists.” His hero passes in front of us a truly way from “boy to husband” – as usual in classic novels, meeting on his way many people, discovering and understanding a world in which there are more flaws than virtues, he experiences moments of despondency and despair, or, on the contrary, unrestrained fun, young courage, deceives himself, becomes a victim of other people’s deceptions, falls in love, changes, betrays, but eventually comes to quiet family happiness, finding after a long ordeal a quiet and cozy harbor, deprived of daily cares for bread urgently m, and in addition,
It is remarkably said in the “Count Nulin”
However, Smollet’s novel can not be called a “fine” one: in him, for all the sometimes heavy weight, there is undoubtedly a purely “Falstaffian spirit” and an amazing inner emancipation – both of the author and his heroes – and a mockery of hypocrisy, in any unexpected manifestation…
However, let us turn to the plot. Actually, the narrative begins even before the appearance of his protagonist in the world, begins with the acquaintance of his parents – papa, Esq. Gemaliye Pikly, who lives “in a county of England, which is washed by the sea on one side and is a hundred miles away
Pushkin’s formula “the child was cut, but nice” is quite applicable to the little Perigrin. Children’s leprosy is replaced by youth, before we go through “school years”, we get acquainted with another very colorful style – teacher and mentor Perigrin Dzholterom. And the indispensable participants in his amusements and prose are Lieutenant Hetchuei and Tom Pipes, who do not worship the soul in their young “master.” Then – the first love – a meeting with Emilia Gantle. Addressed her poems Perigrin – frankly parodic, coupled with the full seriousness of a young lover, this combination gives an amazing effect of farce. Emilia will turn out to be the very heroine whose relationship will last from Perigrin to the very end of the novel, going through all the “prescribed” stages: an attempt to take her away and seduce, insult, offer and refusal, mutual torment and in the end a successful union in the “legal marriage” of the matured Perigrin, who learned at least a little to distinguish between true and false, and generously forgave and all forgotten Emilia. However, the love story is, of course, burdened with all sorts of offshoots and complications: for example, Emilia has a brother, Godfrey, and their late father, Ned Gantlit, turns out to be an old friend of Trianon, his companion in past battles on the battlefield. The generous Trinion buys an officer’s patent for Godfrey, telling the young man that his father once lent him an amount of money, which Trion now returns to him in this way; sharpness, straightforwardness of the old soldier quite successfully combined with him with tact and scrupulousness.
Meanwhile, the parents of Perigrin also have other children: a son bearing the same name as his father, Hem, and daughter Julia. Brother is disgusting baby, cruel, vindictive, treacherous – and as a consequence – the favorite of his mother, like her, fiercely hating Peregrine, but Julia, on the other hand, the case will become acquainted with his elder brother, sincerely attached to him, and Perry pays her as a devoted love. It is he who saves her from the parents’ house when the sister, standing on his side in confrontation with his mother and younger brother, is also in his home either hostage or prisoner. Perigrin transports it to the house of Trinion and later successfully contributes to her happy marriage.
For the novel Smollet characterized by the presence in it of “references” to the real characters and events of that era. Such are many “plug-in novels”, as, for example, the story of the “noble lady” under the title “Memoirs” and owned, as the commentators believe, the noble patron of Smalllet, Lady Wen. The participation of Smollet himself in the text of “Memoirs” is obviously limited only to stylistic editing – so much their tone, their colorlessness and edification differ from the actual Smollet story. The first edition of the novel contained attacks against Fielding, as well as against the famous actor David Garrick, in the second edition, which appeared in 1758, Smollet took these attacks. However, the “reference” that is present in the canonical text of the novel is noteworthy, to the previous product of Smollett – his first famous novel “The Adventures of Roderick Random”: one he met people Peregrine finds “the face that was so respectfully mentioned in” The Adventures of Roderick Random “This element of mystification gives narrative Smollett unexpectedly modern painting, making. diversity in some monotony of the plot canvas. And in addition, thus the writer emphasizes the “chronicle” of the narrative, combining their novels in a kind of “cycle” – a kind of single fusion of biographies, individual sketches, the realities of the era. This element of mystification gives Smollett’s narrative an unexpectedly modern coloring, introducing diversity into some monotony of the plotline. And besides, the writer emphasizes the “chronicle” of the narrative, uniting his novels in a kind of “cycle” – a kind of single fusion of biographies, individual sketches, the realities of the era. This element of mystification gives Smollett’s narrative an unexpectedly modern coloring, introducing diversity into some monotony of the plotline. And besides, the writer emphasizes the “chronicle” of the narrative, uniting his novels in a kind of “cycle” – a kind of single fusion of biographies, individual sketches, the realities of the era.
Smollet’s story about Perigrin’s trip to Paris, Antwerp, other cities and countries is equally colorful and colorful, his description is by no means a “sentimental” journey of his hero. The description of the “light”, not taking, incidentally, Perigrin in their “ranks”, because, for all the cheekiness of the young man, there was still in him a stranger, “a man from the side”; talking about the conclusion of Perigrin in the Bastille, Smollet with pleasure describes the impudence and fearlessness of his not an ideal hero. And again – colorful personality, Peregrine found in his way, in particular, two of his compatriot, the painter Pelit and a learned doctor, his close friend, whose quirks are to Perigrina occasion for countless pranks and ridicule is not always harmless properties. In his “jokes” Perigrin displays both ingenuity, and mocking temper, and even a certain cruelty, the ability to take advantage of human weaknesses. In Smollett’s hero, there is undoubtedly something from the rogue, the favorite character of the picaresque novels: the rogue, the scoundrel, the mocker, the good fellow, to himself on his mind, far from moralizing, and each time ready to break any “moral foundations”. Such are the numerous love adventures of Perigrin, in which he admirably leads the nose of deceived husbands, with pleasure instructing them with horns. far from moralizing and every time he himself is ready to break any “moral foundations.” Such are the numerous love adventures of Perigrin, in which he admirably leads the nose of deceived husbands, with pleasure instructing them with horns. far from moralizing and every time he himself is ready to break any “moral foundations.” Such are the numerous love adventures of Perigrin, in which he admirably leads the nose of deceived husbands, with pleasure instructing them with horns.
But for all that Smollet puts into the mouth of his hero many thoughts and observations, with whom he himself solidarizes, attributing his own views and beliefs. Whether it’s theater, in the reasoning of which Pickl suddenly makes good sense and unquestionable professionalism, or the hypocrisy of the clergy, alien nature of Peregrine, taking into account all their weaknesses and drawbacks of all individual, our hero expresses a lot of sound sincere, direct and fervent remarks, although it is not alien to himself at times pretense. It is equally alien to any manifestation of outright speech, any form of limitation – whether it comes to religion, scientific discoveries, literary or theatrical affairs. And then the author’s mockery is inseparable from the one that his hero exposes his opponents.
Having completed his journey with another love affair, this time taking place in The Hague, Perigreen returns to England. It is at the moment when his hero steps on his native land that the author considers it necessary to give him, almost for the first time, a “characterization” quite unpleasant: “Unfortunately, the work I have undertaken imposes on me the duty to indicate… the corruption of feelings our arrogant young man who was now in the prime of his youth, was intoxicated with the consciousness of his virtues, inspired by fantastic hopes and was proud of his condition… “He traces his hero through many more life experiences, which in part are knocked off his” pollen “by his self Infallibility, infallibility, commitment to what we now call “permissiveness.” Smollet calls it “
In the meantime, Smollet with pleasure describes the countless love victories of his hero, taking place “on the waters” in Bath – without the slightest moralizing, mockingly, as if becoming himself at this moment young and carefree. Among the new acquaintances of Piklya are again the most diverse, unusually colorful personalities; one of them is an old misanthrope, a cynic and philosopher Crabtree Caduolder, who, until the end of the novel, will remain a friend of the Piklia: faithful and unfaithful at the same time, but still in difficult times invariably coming to his aid. Always grumbling, always displeased with everything, but certainly nice. Than? Obviously, the fact that it has an individuality – quality, is extremely expensive for the writer in people, very much in them defining in them.
The death of his benefactor, the old Commodore Trinion, Piquel perceived as a heavy loss, and at the same time his inheritance “did not at all contribute to the humility of the spirit, but inspired him with new thoughts of grandeur and grandeur and raised his hopes to the highest peaks.” Vanity – a vice that is undoubtedly inherent in the young hero of Smalllet – reaches at this moment its apogee, the desire to shine and rotate in the light, to reduce acquaintances with noble persons – in short, the boy’s “dizzy”. And no wonder. At this moment he imagines that everyone should fall at his feet, that everything is accessible and subject to him. Alas…
It was at these moments that he inflicted that terrible insult to Emilia, of which it was already mentioned above: only because she was poor and he was rich.
The piling up of the “novels” of the hero, all sorts of intrigues and intrigues, a series of beloved, their husbands, etc., at some point becomes almost unbearable, clearly parodic, but perhaps all this is necessary for the author to gradually instruct his hero “to the true path”? For all his attempts to enter a secular society, to become a full member of it, end not just in failure – he suffers a monstrous fiasco. Becomes a victim of deceptions, intrigues, loses all his fortune as a result and is on the verge of poverty, getting into debt to the famous Fleet prison, whose morals and “device” are also remarkably described in the novel. In prison there is a “community”, its foundations, its “circle”, its rules and regulations. However, there is no place for them in Piklus, in the end, he turns into an unsociable misanthrope, eschewing people, who decided that his life was already over. And at this moment and comes to him luck, a little “invented”, a little “fabricated” by the author, but still enjoyable for the reader. Appears Godfrey Gantlit, only now learned that his true benefactor, hidden by the spring of his service success was precisely Perigrin Pikl. Their meeting in the prison cell is described with touching sentimentality and heartache. Godfrey gets a friend out of jail, and then the unexpected legacy also ripens. And finally, the final chord is a long-awaited wedding with Emilia. The reader waited for a “happy end”, to which for so long and so torturously through the winds of Smollet his hero. And at this moment and comes to him luck, a little “invented”, a little “fabricated” by the author, but still enjoyable for the reader. Appears Godfrey Gantlit, only now learned that his true benefactor, hidden by the spring of his service success was precisely Perigrin Pikl. Their meeting in the prison cell is described with touching sentimentality and heartache. Godfrey gets a friend out of jail, and then the unexpected legacy also ripens. And finally, the final chord is a long-awaited wedding with Emilia. The reader waited for a “happy end”, to which for so long and so torturously through the winds of Smollet his hero. And at this moment and comes to him luck, a little “invented”, a little “fabricated” by the author, but still enjoyable for the reader. Appears Godfrey Gantlit, only now learned that his true benefactor, hidden by the spring of his service success was precisely Perigrin Pikl. Their meeting in the prison cell is described with touching sentimentality and heartache. Godfrey gets a friend out of jail, and then the unexpected legacy also ripens. And finally, the final chord is a long-awaited wedding with Emilia. The reader waited for a “happy end”, to which for so long and so torturously through the winds of Smollet his hero. Only now did he learn that his true benefactor, the hidden spring of his official success, was Perigrin Pikl. Their meeting in the prison cell is described with touching sentimentality and heartache. Godfrey gets a friend out of jail, and then the unexpected legacy also ripens. And finally, the final chord is a long-awaited wedding with Emilia. The reader waited for a “happy end”, to which for so long and so torturously through the winds of Smollet his hero. Only now did he learn that his true benefactor, the hidden spring of his official success, was Perigrin Pikl. Their meeting in the prison cell is described with touching sentimentality and heartache. Godfrey gets a friend out of jail, and then the unexpected legacy also ripens. And finally, the final chord is a long-awaited wedding with Emilia. The reader waited for a “happy end”, to which for so long and so torturously through the winds of Smollet his hero.
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